Friday, October 23, 2009

Houston Streets 17--Lindale Park

Today was my day off from work, the weather was unbeatable, so I got on my bike and explored. I hit Lindale Park today.

Lindale Park trip map

This neighborhood is just inside the Loop and just east of I-45. The main drag is Irvington. The neighborhood is about 50 years old, full of moderate-sized bungalows. I'd describe it as a well-kept working to middle-class neighborhood, strongly but not exclusively hispanic. The bungalows come in different styles. A really common style is like this one.

typical bungalow 1

Here is another version--almost the exact same house, in fact.

typical bungalow 2

One feature I like about these brick bungalows is the entryway. A lot of them have the brick arch over the door, then projecting out a second brick arch, and then a third. It makes it look like the doorway is radiating towards you. You see similar doorways on the bungalows on Alabama near TSU.

Here's an especially beautiful one on the corner of Irvington and Fairbanks.

Beautiful bungalow Irvington @ Fairbanks

I like how the light reflected off the front stoop makes the inside of the "radiating arch" glow. I'd love to own a house like this--too bad it's right on Irvington (which too busy for me).

I saw a variation on the "radiating arch" where instead of an arch above the door, it was a straight rectangular design.

square door bungalow

Not all the bungalows are brick houses. Quite a few are mostly wood, and then there are some with "fake rock" exteriors. At least I think the rock is fake. Here is a wood bungalow that is Shaker-like in its simple, unadorned beauty.

Photobucket

Here's one on Gale that someone decided needed a little color.

Purple house on Gale

In addition to this style of bungalow, there are also small ranch houses in Lindale Park. I didn't take any pictures of them, though; they're just too boring.

This is a neighborhood that is gentrifying. In some cases, this means that people are doubling up on lots--either buying two adjacent lots and building a big house, or buying lots on either side of the block, so they have addresses on two streets. That appears to be what Mr.Campos did here.

La Hacienda Campos on Graceland

As far as I can tell, La Hacienda cuts through from Gale to Joyce.

An extreme example of this is this house on Fulton that goes all the way from Gale to Joyce.

On Fulton between Joyce & Gale

It looks like this guy bought four lots to build his dream home. The question is, why did he build such an inappropriate house here? (I won't ask why he built such an ugly monstrosity, since ugly monstrosities are the average rich Houstonian's default choice for a dwelling.) It is so out of scale with anything in this neighborhood, and he put it right on Fulton, a major street with lots of businesses. On the other side of Joyce from it is a cheap apartment building. Just up the road are a tire repair shop and a tortilla factory. Was he a dude from the neighborhood who struck it rich and decided to build his dream home in Lindale Park, where the old gang could see it?

That was not the weirdest house I saw. On Moody, just west of Hardy, I saw this strange house.

Moody near Hardy facade 1

OK, not typical for the neighborhood (although this was, I think, technically outside Lindale Park), but not inherently weird. But look at this view and pay attention to the second floor.

Moody near Hardy facade 2

The windows (and maybe even the door) on the second floor are fake. The front of this house is literally a facade. I wonder what could be the motivation for this deception. Obviously it isn't going to fool anyone.

I only saw one old-school mod house in the neighborhood, on the corner of Elser and Cavalcade. I think this house looks great--it would be perfectly appropriate for Memorial.

Modern Cavalcade @ Elser

There was one other contemporary house in Lindale Park, and it is still under construction. It's the Greer House on Woodard, and it was designed by the hugely talented Brett Zamore.

Greer House on Woodard

Zamore is a Rice architect who has gotten a lot of attention for his low-cost modern designs. His most famous house is the "Shot-Trot" in Eastwood, and the Greer house seems to basically be a supersized version of the earlier, iconic structure. Zamore is an architect I admire a lot, and this is a beautiful house.

Just down the street is another new house (at least it looks new).

mansion on Woodard

This house is out-of-proportion for the neighborhood, but it avoids being a McMansion, I think. It's charming and has a real relationship with the street (the wrap-around porch is really nice).

Lindale Park has been around for 50 years according to the sign in front of the Lindale Park Civic Club.

Lindale Park Civic Club on Joyce

This building is a meeting hall that can be rented out for parties, banquets, etc. It's nice that the civic club has a permanent space for neighborhood events.

Generally the lawns of Lindale Park were typical Houston--well-cut St. Augustine grass. I liked this artfully wild lawn at the corner of Gale and Helmer.

garden at Helmer @ Gale

Lindale Park's businesses are mostly on Irvington, Cavalcade, and Fulton. Locals can wet their whistles at Rick's Den on Cavalcade, which has these two nice graffiti pieces on its back wall.

Rick's Den on Cavalcade @ Cochran rear

And speaking of murals, I love this one on the Matamoros Meat Market #3 on Irvington.

Matamoros Meat Market Irvington @ Canadian

The focal point is the guy in the straw cowboy hat holding a nice cold beer. I love how the two hotties in bathing suits are starring at him with apparent desire. The girl in the bikini could be thinking, "Sure, he's 20 years older than me, but he is muy guapo. Si, guapo y rico!"

Finally, after my ride through the neighborhood, I was famished. I ate here:

Teotihuacan Mexican Cafe

This restaurant is on Irvington at Cavalcade, and food was delicious. I give it my highest recommendation.

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Saturday, July 18, 2009

$timulus and I Love You Baby Bullets

Two art shows opened Friday so I decided to check them out after work. First was $timulus at Diverse Works, a group show of 2009 recipients of grants from Artadia, a grant-making outfit that supports selected artists in selected cities, including Houston. So like any group show, you have some winners and losers. Usually I only like to talk about the art I like, but I have to complain about El Franco Lee II (or Junior, for short).

El Franco Lee playas
not sure what the title is, El Franco Lee II
  • Junior's art looks inept and adolescent.
Blacksheep vs. Marvel
Blaqsheep vs Marvel, El Franco Lee II
  • It troubles me to look at it--is Junior being ironic or is this work just plain dumb?
  • You are meant to wonder this when you look at some of the work of, say, Mike Kelley or Lisa Yuskavage. But, y'know, really it's obvious that these two are clever postmodernists producing double-coded art.
  • The only hints that he might be an ironist are his elite education (Yale, UH MFA) and where his art is shown.
  • But for me, that just doesn't make up for the bad drawing and general stupidity of the work.
Blaqsheep vs. DC
Blaqsheep vs. DC, El Franco Lee II
  • If he were 16 years old and drawing this, I'd feel slightly embarrassed for him.
Pussey
from "The Young Manhood of Dan Pussey," by Dan Clowes
  • But I like to think I'm less naive than "Bubbleman"--I don't care if Junior is being postmodern. This art is horrible.
Blaqsheep Vs. Triad
Blaqsheep vs. Triad
  • I mean "Blaqsheep vs. Triad"--Jesus.
  • But some of the art in the show was good.
Stephanie Toppin self portrait
Self-Portrait, Stephanie Toppin
  • Like this.
Delilah Montoya
La Llorona in Lilith's Garden, Delilah Montoya with Tina Hernandez, 2004
  • And this.
Delilah Montoya detail 1
La Llorona in Lilith's Garden, Delilah Montoya with Tina Hernandez, 2004, detail
  • Here's a detail of that last one.
Dawolu Jabari Anderson
Mam E, Dawolu Jabari Anderson
  • This one made me laugh. (Laugh with it, not at it.) Dude digs Kirby, eh?
I left Diverse Works with mixed feelings. I was worrying over whether ineptitude as a strategy, as a way of questioning certain artistic meta-narratives, butts up against ineptitude that happens because an artist doesn't know any better. With Junior, like with so much postmodern art, context is everything. If you saw one of those "Blaqsheep" drawings in a teenager's notebook, you might be encouraged that he is being creative, but you certainly wouldn't encourage him to pursue an art career. My question is, does this really change just because the work in on the pristine white walls of Diverse Works?

These questions didn't get easier at my next stop for the night. An art group, I Love You Baby (ILYB for short), was showing at The Joanna.
  • The Joanna is just an ordinary house on Graustark across from the University of St. Thomas.
  • Its shows last one night only--on Friday, that was from 6 pm til 2 am.
  • The group I Love You Baby is a collective of anarchic art punks.
  • They were among the exiles from the Commerce Street Artist Warehouse who were in the movie by Skeezer Stinkfist. (They were ones who had the office Christmas party that degenerated into an orgy of destruction.)
  • Their paintings seem a bit cleverer and more knowing than Junior's.
ILYB 5
unknown title, ILYB
  • I liked this one.
ILYB 10
unknown title, ILYB
  • And this one made me laugh.
  • But even though they were basically exhibiting in someone's living room, context was everything.
ILYB 7
unknown title, ILYB
  • The work would seem ridiculously crude and inexplicable outside a gallery.
ILYB 6
unknown title, ILYB
  • One last I Love You Baby painting.

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